Contributor: ASIA OGNIBENE with Together New Orleans
Across the Southeast, hundreds of thousands of people are without power in the aftermath of Hurricane Idalia – a situation all too familiar to us. As the storm made landfall in Florida, something incredible was happening in New Orleans. Dozens of dedicated Together New Orleans volunteers were engaged in a disaster simulation at the Broadmoor Community Church – the very first Community Lighthouse that opened this spring.
We held the training Wednesday during the church’s regularly scheduled food pantry to simulate an active scenario and test the system. Volunteers were told the details of the disaster scenario and given roles to play, and the simulation provided many valuable “lessons learned” that will inform the work of Lighthouses throughout the city and state.
Together New Orleans has opened four Lighthouses and aims to complete a dozen more as part of an initial pilot phase. In total, we’ll install a network of 86 across the city so that every resident lives within a 15-minute walk of one. It’s not stopping there! Together Louisiana’s regional organizations are expanding Lighthouses throughout the state. North Louisiana Interfaith is piloting two and plans to create a network of 20 in Caddo Parish. And just last week, Together Baton Rouge secured funding for its first three and is already working on plans for the next three. Other regions are also working to launch pilot programs in the near term.
This week of record-breaking heat also marked the anniversaries of Hurricanes Katrina and Ida – somber reminders of the significance of our work. As we continue to open more and more Lighthouses, we’re empowering our communities to weather the storms that will come our way and to better do what we’ve always done: help one another.
Thanks to everyone who volunteered for this week’s training. If you’d like to be part of a volunteer rapid response team, email firstname.lastname@example.org.
I love you. It’s not the birds and the bees and the 1,2,3’s… It’s much more than that. My love for you is cosmic, as if personally crafted just for me by Greek Gods aligning the stars.
Granted I haven’t been to every city in the country but you’re my favorite by far. I love how your people talk. Their accents are like no other. From every “baby “and “sweetheart” and “good mornin’ everyone” greetings from strangers on the Trolley… I love you. I love the swag that’s all yours and how every “I got you” is as firm as a promise or a handshake. It melts my heart and restores my faith in the goodness of Man. NOLA I love you because you have a charm that traces her many roots to the days of Rose Nicaud, an eighteenth-century slave who’s enterprising vision to sell coffee as a street vendor is probably why Starbucks exists today, praline vendor Mary Louise who’s independent streak shaped your taste buds and food culture, Mr. Okra who sang the praises of his vegetables into the hearts and pots of your wonderful and incredibly hard-working people, and the first Creole nun, Henriette DeLille, who helped educate slave children when it was illegal to do so. Even living legends like, Dooky Chase, Trombone Shorty and the street musician with his washboard instrument who proudly tells folks he encounters about being in a music video with CeeLo Green create a sense of belonging in the deepest parts of my heart and soul. And, I love you for that.
New Orleans, you are a magical place that reminds me of our collective muscle and mission as Americans. You’re the blueprint of the coming-of-age of America or the turning of a page in our cultural journey. When We were Us; working with great struggles—racism and inequality—toward that common ideal Hoover, JFK and even Obama talked about. Everyone working together to improve life in our country and to make their own American dream come true; whatever that is. New Orleans, similar to New York City, you make room for folks to express themselves and believe again. And, make money doing it too thanks to that charming allure that only comes from you, NOLA. Your glory brings people flocking to your streets practically begging you to take their money as if dazed by your voodoo love potion. Perhaps that’s why I love you too.
I fall in love in many ways exploring your streets and your customs. Your black roots and especially your music foundation remind me of my own value, beauty and place in this world. It reminds me of my strong bond to a larger black culture. Still, I see myself in all the faces of your people. I see myself in the new immigrants struggling to speak a new language and having to swallow the intolerance of those with a long history in your bosom. I see myself in the exhausted faces of mother’s and father’s going to and from work, facing the onslaught of tourists seemingly without a care in the world and blind to the pain and struggles expressed in their sweaty faces in a still deeply segregated city. I hear the pain of senseless violence in my friends voice when he talks about the murder of his father. And unfortunately, violence is part of your identity as you sit rated as the 3rd most dangerous U.S. City. I sympathize with this harsh reality that impacts the most vulnerable of your people. I still love you.
I see myself in the artists that flock to every corner of you, unleashing their natural talents for all the people to see. From the New Orleans Jazz Market to Bourbon and Frenchman Street, NOLA your people don’t disappoint when it comes to talent. And don’t even get me started with the drag queens! They represent the freedom that is unique to your people and I see myself basking in that freedom too. They make me feel fierce on solid ground. Then, there’s these amazingly strong women of comedy that make their rounds throughout the city making people laugh out loud, allowing me for just a moment, to forget all the woes of the world. I found myself in Black Girl Giggles, an all black female comedy group. All of these experiences make me love you. I saw myself in New Orleans. And, for a brief moment, I felt planted like one of your historic oak trees. I was home for the first time in my life.
Perhaps it’s the nostalgia of my birth country Suriname that reminds me of home when I’m in your part of this vast world… it was a time when life was simpler, when there were no deadlines to meet, tests to grade, no future plans to ponder and worry about, no expectations to meet or live up to, and when life was happy. I guess what I’m trying to say is that I love you because you make me happy, again. I don’t remember where I left my happy but I’m grateful to have found it in you, New Orleans.
Listening to the Trolley conductor on the 94 line berate all kinds of people— except the fumbling tourists—although made for a cringe worthy ride to the cemeteries, it reminded me of your flaws. Nevertheless, I love you because your flaws reflect the harsh realities of life and that there’s more humanitarian work to do. Even the frustrated Trolley conductor who exclaimed during his rant that, “the only good people in New Orleans are the tourists cause they’re the only ones here not trying to pull one over on ya’,” didn’t force a change in my heart but rather presented a challenge to see beauty where others don’t. I accept and love you, warts and all.
Everyone has a unique story about their New Orleans. Some are romantic and wonderful and others share stories of the heartaches that you’ve caused. NOLA you’re not perfect. In your beautiful eyes, New Orleans, some only see pain, poverty and the brutality that comes with being poor. This uncomfortable truth is compounded by simply being born black. And yet, you go on singing, blowing your horns and dancing…charming revelers to join the processions of merriment that are symbolic of the joy you express in the midst of this pain and the harsh realities of life. The story of New Orleans is the story of America. And the story of America is the story of race. And race is a vivid factor in New Orleans. It’s clear to see walking across Tulane and Loyola University or taking the St. Charles Street Trolley. You hear it in conversations shared without the guards of political correctness. It’s unapologetically expressed in jokes and with the uniquely black culture tradition called 2nd Line Sundays. Black people are free to be black and proud in New Orleans and conversations about race seem to be more prominent, and mostly accompanied with laughs and light-hearted banter. Blackness is celebrated despite the unequal economic playing field and the blatant racism being exposed in its bare sense across the country thanks to an administration sympathetic to this shameful part of our American story. And that’s a refreshing page turner for someone who calls New York home.
I love you NOLA. I love how you’ve come full circle in our cultural journey, forging ahead with the promise and dream of Dr. Martin Luther King, Jr. and all those who have fought for a more just and equal country. From the days before and after Jim Crow, to the first black women innovators and the city’s first black and female mayor, LaToya Cantrell, from the food to the hospitality and music culture, and despite the noticeable divide amongst your charming people who take on each day like their hard-working ancestors, New Orleans there’s no city in the world like you. And as Kojak would say; who loves ya baby? You’re beautiful.